The discovery of a world concealed behind the skin took form in my adolescence while working at a surgeon’s office, where veins exploded into waterfalls, cut ligaments set free the muscles they once contained, and chunks of fat poured over tissues of various colors and textures. A fascination with these encounters put the body at the center of my work, allowing me to use this imagery to reflect on consumption, ecology, and the voracious needs of the body.
Garments from my own wardrobe make up the bulk of the material I use in my fabric work. Committed to giving a second chance in the world to rejected articles of clothing and other domestic textile items, I periodically cannibalize my own wardrobe looking to find supplies to create sculptures with. A type of alchemy happens in my studio, where discolored undergarments are transformed into ligaments, stained tablecloths assume the color and texture of exotic bird feathers, and over worn sweaters unravel into the rich textures of animal fat. By contrasting a visceral imagery with soft materials, I seek to reintegrate the physicality of our bodies and the natural processes of birth, growth, and decay back into our existential understanding of life.
Inspired by Art History, memories of butchered meat I saw while growing up in Argentina, and the mechanized systems of consumption that dominate the production of goods in the United Sates, my work proposes a type of beauty that integrates our corporeal realities to the contemporary systems of industrialization that devour them.